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Clef: TrebleTreble
Unique Durations: 1-3
Unique Notes: 16 - 20
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SDG
Het is volbracht! (variant II). Composed by Gertim.
SDG
0:45 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 16 0 6 3 100%
Bass 20 0 5 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 16 0 6 3 100%
Bass 20 0 5 3 100%
 
Het is volbracht! (variant IV). Composed by Gertim
SDG
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 16 0 3 3 100%
Bass 18 0 3 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 16 0 3 3 100%
Bass 18 0 3 5 100%
 
113. Halleluja lof gezongen
SDG
0:58 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 4 3 100%
T B Bass 17 0 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 4 3 100%
T B Bass 17 0 3 3 100%
 
72. Zou ik U, o God, niet zingen.
SDG
0:58 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 4 3 100%
T B Bass 17 0 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 4 3 100%
T B Bass 17 0 3 3 100%
 
96. Heer, richt onze harten (oude melodie)
SDG
1:51 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 17 0 4 2 100%
T B Bass 20 0 6 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 17 0 4 2 100%
T B Bass 20 0 6 2 100%
 
Libera me, Domine, de morte aeterna. Gabriel Fauré.
SDG
1:09 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 26 7 3 100%
Bass 16 7 3 1 100%
Baryton Bass 9 0 1 6 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 26 7 3 100%
Bass 16 7 3 1 100%
Baryton Bass 9 0 1 6 91%
 
99. U, o God, wil 'k dank bewijzen
SDG
0:58 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 4 3 100%
T B Bass 17 0 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 4 3 100%
T B Bass 17 0 3 3 100%
 
Het is volbracht! (variant III). Own composition.
SDG
0:45 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 17 0 3 3 100%
Bass 17 0 2 3 100%
Contrabass Bass 12 0 1 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 17 0 3 3 100%
Bass 17 0 2 3 100%
Contrabass Bass 12 0 1 3 50%
 
Libera me, Domine. Sung by me, Gertim (SDG). Requiem Mozart.
SDG
1:09 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 26 7 3 100%
Bass 16 7 3 1 100%
Baryton Bass 9 0 1 6 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 26 7 3 100%
Bass 16 7 3 1 100%
Baryton Bass 9 0 1 6 91%
 
72. Zou ik U, o God, niet zingen (= 99, 113). Variatie. Sollt’ ich Dir, o Gott, nicht singen. Would I not sing for You, oh God.
SDG
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 16 0 4 3 100%
T/B Bass 19 0 4 4 100%
Contrabass Bass 13 0 2 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 16 0 4 3 100%
T/B Bass 19 0 4 4 100%
Contrabass Bass 13 0 2 4 50%
 
56. Das alte Jahr vergangen ist. BWV 289.
SDG
0:01 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 7 2 100%
Tenor/Bass Bass 25 0 10 2 100%
Contrabass Bass 18 0 6 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 7 2 100%
Tenor/Bass Bass 25 0 10 2 100%
Contrabass Bass 18 0 6 2 50%
 
89. Es ist das Heil uns kommen her. BWV 251. Trauungschoral.
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
Tenor/Bass Bass 19 0 4 4 100%
Contrabass Bass 14 0 3 3 49%
 
146. Herr Jesu Christ, wahr'r Mensch und Gott. BWV 336.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 3 3 100%
Tenor/Bass Bass 18 0 5 3 100%
Contrabass Bass 12 0 3 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 3 3 100%
Tenor/Bass Bass 18 0 5 3 100%
Contrabass Bass 12 0 3 2 50%
 
147. Herr Jesu Christ, wahr'r Mensch und Gott (Ach Herr, vergieb all' unsre Schuld). BWV127.5
SDG
0:37 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 5 2 100%
Tenor/Bass Bass 20 0 6 3 100%
Contrabass Bass 15 0 4 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 5 2 100%
Tenor/Bass Bass 20 0 6 3 100%
Contrabass Bass 15 0 4 3 50%